Sunday, January 10, 2010

I got back into Boston last night and it feels so good to be back! I was closing in on insanity back in Vermont. I love it there, but i can only sit around and watch so much television. I quickly figured out that there's not much to do in Vermont and i missed a lot of things back at Mass. Art. The workrooms i missed the most. I craved to paint at home, but i had no space to do it. When i paint i need to get really messy and spread my shit out. I can only do that at the Artists' Residence. I made this self portrait this morning with my point and shoot digital camera. I then photoshopped a 4x5 boarder on it. I like the look. It feels so refreshing to create again...

Friday, January 8, 2010

Scanned Negative

Kodak Tri-X 35 ISO400

I had to make a photograph of this. You know your in art school when there are chalkboards with fresh chalk in the bathrooms. It's awesome to walk in and have fresh artwork up everyday and also a nice way to take a piss. I especially love this bathroom because of the great light it gets. I took this photograph a couple of months ago when Luke was in town. Bike/Skunx…

Thursday, January 7, 2010

Scanned Negative

Kodak Tri-X 35 ISO400

Being home for the Holidays has been been good to me, but i really miss being in Boston. I finally took the time to develop some film, unfortunately it was done with C-41 chemicals and the photographs don't present themselves the way a typical roll of Tri-x would. In the beginning of the semester i walked the city quite a bit and took many snappy/automatic photographs on the streets. It felt go to not worry about composition, yet rather just the initial moment of walking by somebody (or somebody walking by me). Most of the time, my subjects never knew i was capturing them. For some reason i have been into the quick and out of focus photograph. Maybe it's from too much exposure to the 4x5. Looking at some of my favorite shots now, i'm pretty inspired to continue shooting this way…

Thursday, January 7, 2010

Scanned Negative

Kodak Tri-X 120 ISO400

Before leaving for the Holidays, i shot a roll of Tri-x 120 on my Holga. I haven't had much luck with it this semester. During this roll, the batteries died and i was without a flash. I was kind of bummer to see that i got nothing i really liked after processing. Never the less, i happen to like this shot a little bit. I took it out of my living room window which over looks the Mass Art campus. The blurriness reminds me of when it rains; the window becomes all wet and foggy. Such a photograph creates a new way of looking at something so routine and overlooked. Hopefully the next rolls will come out better with a functioning flash…

Friday, November 6, 2009

Mixed Media

Acrylic, Charcoal, Watercolor,

4' x 7'

It feels so gratifying to dedicate time to shit that has no purpose at all. Yesterday was one of those days. I began with 3 simple charcoal drawings that I made with my eyes closed in drawing class. They were influenced by what I felt from a song that was being played simultaneously to the movement of my hand. Each section is one of the individual drawings. It went from just adding a little color to amusing myself for hours on end with an assortment of media. Modest Mouse was exploding from my headphones. I had a whole studio workroom to myself, and I was in my own little world. After a few hours I knew I was done. I was filthy; I had charcoal smeared on my face, paint on my pants, and my hands were encrusted with material. I was in ecstasy and all control was adrift. Looking at the painting as it now hangs in my room, all I can say is “Damn that felt awesome”…

Tuesday, November 3, 2009

Scanned Gelatin Silver Fiber Print

Kodak Tri-X 4x5 ISO320

8'' x 10''

I had this romantic vision of large format, yet I never knew it required such attention, time, and accuracy. Not to mention the actual cost of it all. It’s fucking expensive to get started. Yet after a few projects, I’m slowly seeing the trends I went through in highschool when I first began with 35mm; a successful exposure here, a nice print there. Of course there are many factors besides the new equipment. Being new to Boston would be one of them. I defiantly feel my photographs are reminiscent towards that too. Nevertheless, I would say this diptych is kind of the breaking point out of the minute depression I went through. I like the concept; taking three photographs from totally different areas to form a new space within an image. Plus my professor Laura McPhee loved them too. It’s exciting and has the qualities of many other art forms. However, I do feel that the subject matter could be pushed even more. I have a feeling I’ll be returning to this idea later on and maybe in color…

Monday, November 2, 2009

Last weekend was fucking awesome! I don’t really know what influenced my decision to head up to Portland, ME, but I somehow made it there on Halloween. Luke and I hung out in Boston on Friday, and then drove up in his Yota on Saturday. The drive went by fast with good conversation and music. It felt kind of weird walking around in MECA, yet driving back into Portland was easily comparable to returning home. The salty air, coble stone streets, matt shitting his pants, and the sighting of a bum on every corner put me at ease. It’s so pleasing to show up unannounced in a ridiculous costume and party like it is the last day of my life. It brought back so many good memories. Plus, instead of candy this year, I was spoiled with fresh new work AND a Polaroid Automatic 250 Land Camera from Luke. This year was a Halloween I will never forget...